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Inside the fonts: BF Buffalo travels back in time
Neville Brody lets typographers choose between the original and updated versions of BF Buffalo by way of well-thought-out Stylistic Sets. Now you can have your fonts and eat them, too.
ScreenFonts: January 2019 | The Leftovers
These posters didn’t make the cut, but are still noteworthy for their design and/or typography.
Type Network turns a page
We finished 2018 with a shifting leadership roster. Now we’re ready to break fresh ground in the new year.
ScreenFonts: January 2019
A lot of struggle surfaces in the posters for this episode. This time around, I look at art for Suspiria, The Bray Road Beast, Beoning (Burning), Can You Ever Forgive Me?, What They Had, Beautiful Boy, Private Life, and Bikini…
ScreenFonts: December 2018 | The Leftovers
These posters didn’t make the cut, but are still noteworthy for their design and/or typography.
ScreenFonts: December 2018
A lot happens with a little in the posters for A Simple Favor, Matangi/Maya/M.I.A., Assassination Nation, White Boy Rick, Monsters and Men, Call Her Ganda, Hale County This Morning, This Evening, and Hal. It’s all about space.
Elevate your display game with TYPETR’s PowerLift
Petr van Blokland surprises with a chunky, funky, punchy display slab serif.
Scout and Heron Serif explore new horizons
Two type families from Cyrus Highsmith spruce up their language skills.
ScreenFonts: November 2018 | The Leftovers
These posters didn’t make the cut, but are still noteworthy for their design and/or typography.
ScreenFonts: November 2018
With the poster for The Spy Who Dumped Me, we open on a lighthearted, humorous note—but the balance of this episode is rather somber, even violent, as we turn to Papillon, Searching, Active Measures, Alt-Right: Age of Rage, BlacKkKlansman, Laissez…
XYZ Type’s Study graduates with honors
Jesse Ragan breathes new life into a lost hand-painted alphabet by designer and illustrator Rudolph Ruzicka.
Richard Lipton mines early twentieth-century lettering for Collier
Lipton Letter Design’s latest release is a delicately flared all-purpose type family with an astonishing typographic scope.