Victoria Rushton’s stylish, exuberant, contradictory typeface “is based on nothing, nothing at all,” she says.
The animated cube it the ultimate result of Gerrit’s theory building up over the years. Originally starting as two squares, he combined the separate principles of contrast later by interpolating between them.
Campgràfic releases the Spanish edition of Inside Paragraphs.
Occupant LLC is very proud to announce that Cyrus Highsmith has been awarded the Gerrit Noordzij prize. The prize is given by the Royal Academy of Art, Museum Meermanno, and the Dr PA Tiele Foundation, all based in the Netherlands.
Stephen Coles offers clear definitions for commonly abused terms and elaborates on the differences between type and lettering, a typographer and a type designer, and a typeface and a font.
Input 1.1: David Jonathan Ross’s elegant font for coding has new characters that users have asked for.
“It’s definitely the typeface I was searching for”: Nicholas Felton found Input to be the perfect choice for a hard-hitting presentation of raw data.
Celebrating the work of David Berlow and showcasing the typefaces of Tobias Frere-Jones